He and Shim at the LA Food and Wine Festival

M. Ward and Zooey Deschanel are the duo She and Him. Their two albums "Volume 1," and "Volume 2" are both warm, fuzzy, analogue recordings produced by Ward and tastefully arranged with the help of Mike Mogis and other session cats. Deschanel's voice is one that I can only describe as timeless. It has a quality that when coupled with Ward's production style and smooth backup vocals creates recordings that would be impossible to place on a timeline if heard without prior knowledge or description. Despite the possibility of minor pitch issues- which may have gone unnoticed by this kid's trained ear- I would say that she didn't miss a single note last night and she certainly didn't hold anything back. I have heard both albums, but mostly couldn't wait or barely stand to hear her endearing and passionate renditions of their tunes "Sentimental Heart," and "Change is Hard." Beautiful. The rest of the Food and Wine Festival was also fantastic. We managed to find the LA Times Wine Club booth in the back which was giving out healthy pours of Roblar Sauvignon blanc and various other varietals and stayed in the vicinity. Near by was some delicious free blueberry lemonade for hydration and some free tequila in the form of shots and tequila-cran concoctions. Eventually we filled up and headed over to the stage where Deschanel and Ward played songs from both albums as well as some thoughtfully chosen covers including an acoustic guitar and ukulele duet of "Wouldn't it Be Nice," by the Beach Boys and a raucous encore of "Roll Over Beethoven," from the Chuck Berry catalogue. Zooey's telecaster shaped ukulele was pretty cool to see as well. Great set. Far away pic, but you see the scene. Your welcome LA Times for the free advertising. I know you need it.

Monsters of Folk Put on Quite a Show at the Greek last Sunday

I feel pretty lucky to have seen some awesome “big ticket,” shows in the last couple of weeks. Pearl Jam with Ben Harper and a guest appearance from Chris Cornell was a high powered anthem-fest and last Sunday’s Monsters of Folk show at the Greek was a display of top notch songwriting and vocal harmonies...

Sunday’s Monsters of Folk concert at the Greek Theater was definitely worth the high priced seats my girlfriend Adrienne bought for my birthday. We we’re toward the front of the middle section and the show was one that kept us glued to the chair with our mouths shut. The concert, to my delight, was run like a musical revue not unlike the Bob Dylan 1975-76 tour entitled the Rolling Thunder Revue. The musicians all started out together playing a few of the tunes from the new cd, but then the lineup broke down to just M. Ward for two songs off of his last record played solo. Then some duets with Oberst and eventually built back up to everyone on stage again. Oberst was next to have a solo moment in which he played the famous “We are nowhere, and its now,” off of Bright Eyes’ I’m Wide Awake It’s Morning, album from 2005. The track was dedicated to all the touring musicians in the crowd including his friends from Rascal Flatts whom he “put on the list.” Again the other members of the Monsters of Folk touring band came out one by one as songs built back up before coming down a third time for Jim James’ solo section, which also indcluded some great renditions of tunes recorded by his brilliant and honest band, My Morning Jacket.
The musicianship award is a tie on this concert and goes to Mike Mogis and M. Ward. Mogis showed his value as a sideman and producer by adding color and skillful picking to every song whether it be on electric, pedal steel, mandolin, or bass guitar. He also played some important percussion additions including a tasty little triangle lick on one of the full band tunes. M. Ward’s solo tunes showed off his wonderful finger picking skills and use of open tunings akin to the style of Leo Kottke and his contemporary, Ward’s hero, John Fahey. Mr.’s Ward and Oberst also played some piano and organ on a few of the more rocking tunes fu;; band tunes showing versatility. Conner Oberst seemed to be the leader of this outfit if you had to put a C for captain on someone’s shirt like a football team, but he, M. Ward, and Jim James all shared the lead role smoothly and harmonized behind each other’s tunes beautifully. The singing award has to go to James with his lovely highs and wide range soaked in insane amounts of reverb, as always, and hauntingly beautiful.
The songwriting and singing on the new album made this a highly sought after ticket for anyone who picked it up in time or is familiar with these three gentlemen’s catalogues. I usually adhere to the superstition of not listening to the record of a band on the way to that same band’s show, but I wanted Adrienne to get another run through and had no fears that M.O.F. would not live up to their first formal release as a group. I was not let down. Considering the mixture of outside and new material I was most thoroughly impressed with the fact that even the songs I didn’t know were too intriguing to step away from and kept me from ever getting up for snacks or beer. The only constructive criticism I felt was that some of the “rocked out” songs seemed a little corny next to the serene acoustic ones. It was cool for them to get louder, but the overdone girations seemed a little ridiculous at times. Overall, the concert was definitely top quality and these gents deserve more than the cult followings they each respectively have. Well done sirs.